Visionnaire ALESSANDRO LA SPADA臥室設(shè)計(jì)案例 CA’ FOSCARI  BEDROOM 單人沙發(fā)椅置物柜子茶幾邊幾組合床鋪床頭柜

佛斯卡里

臥室

在不尋常的裝飾主題中，山峰的輪廓在部分家具的不規(guī)則刺繡中重現(xiàn)，呈現(xiàn)出視覺(jué)簽名的特征，以增強(qiáng)Ca Foscari床頭板，其特點(diǎn)是堅(jiān)固的外框和內(nèi)墊，輪廓呈弧形。

在不尋常的裝飾主題中，山峰的輪廓在部分家具的不規(guī)則刺繡中重現(xiàn)，呈現(xiàn)出視覺(jué)簽名的特征，以增強(qiáng)Ca Foscari床頭板，其特點(diǎn)是堅(jiān)固的外框和內(nèi)墊，輪廓呈弧形。床頭板采用刺繡工藝，創(chuàng)造出具有日本特色的圖形圖案。床和床頭柜有交替凹凸的鋼底座；結(jié)構(gòu)采用100%光滑的Makassar烏木。

藝術(shù)家

米歇爾阿斯托爾菲

他出生在博洛尼亞，在意大利、瑞士、美國(guó)和巴黎完成學(xué)業(yè)。作為攝影和數(shù)字處理的愛(ài)好者，他嘗試將圖像與化石木材、水晶、天然石材和鋼鐵等不同材料結(jié)合起來(lái)。

設(shè)計(jì)師

亞歷山德羅拉斯帕達(dá)

亞歷山德羅·拉斯帕達(dá)給自己下了一個(gè)定義：一個(gè)“有著工匠風(fēng)范的設(shè)計(jì)師”。他的座右銘是：“為了學(xué)習(xí)而表演”，1990年畢業(yè)于米蘭室內(nèi)設(shè)計(jì)學(xué)院。1990年至1994年，他與Sawaya e Moroni工作室合作，設(shè)計(jì)室內(nèi)設(shè)計(jì)，并跟蹤公司原型的開(kāi)發(fā)。1998年和2004年，他參與了設(shè)計(jì)和室內(nèi)設(shè)計(jì)領(lǐng)域的正式研究，強(qiáng)調(diào)了物體的語(yǔ)義價(jià)值。他致力于燈具和家具的小規(guī)模生產(chǎn)，加深了對(duì)材料的認(rèn)識(shí)，創(chuàng)建了一個(gè)專門從事金屬加工的小創(chuàng)意車間。2005年，一次偶然的會(huì)面促成了他與薩繆爾·馬扎（Samuele Mazza）的合作，后者是一個(gè)兼收并蓄的人物，在時(shí)裝設(shè)計(jì)領(lǐng)域有著悠久的歷史。他對(duì)馬扎軟世界的“硬裝”貢獻(xiàn)賦予了“Visionnaire”和“Grantour”系列以生命力。他還在米蘭的室內(nèi)設(shè)計(jì)學(xué)院講課。他曾擔(dān)任米蘭多莫斯學(xué)院的項(xiàng)目負(fù)責(zé)人。

CA’ FOSCARI

BEDROOM

Among the unusual decorative themes, the silhouettes of mountain peaks return in the irregular embroidery of portions of furniture, taking on the identity of a visual signature to enhance Ca Foscari headboard, characterized by a sturdy outer frame and innerpadding, in a sweeping curved silhouette.

Among the unusual decorative themes, the silhouettes of mountain peaks return in the irregular embroidery of portions of furniture, taking on the identity of a visual signature to enhance Ca Foscari headboard, characterized by a sturdy outer frame and innerpadding, in a sweeping curved silhouette. The headboard features embroidery that creates a graphic pattern with a Japanese character. The bed and the bedside units have steel bases that alternate concave and convex portions; the structure is in 100%glossy Makassar ebony wood.

Artist

MICHELE ASTOLFI

Born in Bologna, he completes his studies through Italy, Switzerland, United States and Paris. Being a fan of photography and of digital processing, he experiments the combination between the image and the different materials such as fossil wood, crystals, natural stone and steel.

Designer

ALESSANDRO LA SPADA

Alessandro La Spada defines himself a "designer with the manner of a craftsman". His motto: "perform in order to learn" He studied at the i.d.i. interior design institute in Milan where he graduated in 1990. From 1990 to 1994 he collaborated with the studio Sawaya e Moroni, designing interiors and following the development of the company's prototypes. Beetween 1998 and 2004 he's involved in the field of design and interior project dealing with formal research, underlining the semantic value of objects. He dedicate himself to the small scale production of lamps and furnishings, deepen his knowledge on material creating a small creative workshop specialised in processing metal. In 2005 a casual meeting led to his collaboration with Samuele Mazza, an eclectic character with a past in fashion design. His "hard wear" contribution to Mazza's soft world gave life to the "Visionnaire" and "Grantour" collection. He also lectures at the i.d.i. interior design institute, milan. He has worked as project leader for the domus academy in milan.

其它客廳大全