Visionnaire 餐廳系列設(shè)計(jì)案例 

 第一組:梁志天餐桌餐椅

雷迪奧  餐廳

外在的珍貴，內(nèi)在的珍貴。

設(shè)計(jì)師:梁志天

國(guó)際公認(rèn)，Steve Leung是一個(gè)領(lǐng)先的建筑師，室內(nèi)設(shè)計(jì)師和產(chǎn)品設(shè)計(jì)師出生在香港1957。作為一位專注于當(dāng)代風(fēng)格的倡導(dǎo)者，史蒂夫的作品體現(xiàn)了強(qiáng)烈而獨(dú)特的極簡(jiǎn)主義特征，巧妙地采用了亞洲文化和藝術(shù)。他的作品包括建筑、室內(nèi)設(shè)計(jì)以及產(chǎn)品設(shè)計(jì)。

藝術(shù)家

米歇爾阿斯托爾菲

他出生在博洛尼亞，在意大利、瑞士、美國(guó)和巴黎完成學(xué)業(yè)。作為攝影和數(shù)字處理的愛好者，他嘗試將圖像與化石木材、水晶、天然石材和鋼鐵等不同材料結(jié)合起來。

第二組餐桌餐椅 : Maria Serebryanaya GALITSIN DINING ROOM

加利欽 餐廳

加利欽的桌子以其卡拉卡塔金質(zhì)大理石桌面而聞名，上面鑲嵌著羅伯塔·維特拉莫的藝術(shù)插畫，用樹脂和液態(tài)金屬制成，“大地的心臟和神秘”，就像巖石上的一道裂縫。

加利欽的桌子以其卡拉卡塔金質(zhì)大理石桌面而聞名，上面鑲嵌著羅伯塔·維特拉莫的藝術(shù)插畫，用樹脂和液態(tài)金屬制成，“大地的心臟和神秘”，就像巖石上的一道裂縫。這是一種金屬化的中密度纖維板，讓人想起礦物的形狀。

藝術(shù)家

碳酸鈣

CaCO3小組是在三位藝術(shù)家Aniko Ferreira da Silva、Giuseppe Donnaloia和Pavlos Mavromatidis的倡議下于2006年成立的，他們分享了在拉文納“馬賽克修復(fù)學(xué)?！钡呐嘤?xùn)經(jīng)驗(yàn)。碳酸鈣或石灰石的化學(xué)式，碳酸鈣的名字是指一種通常用于實(shí)現(xiàn)馬賽克的原材料。

設(shè)計(jì)師

瑪麗亞·塞雷布里亞納亞

Maria Serebryanaya于1974年出生于莫斯科，是一名熟練的建筑和室內(nèi)設(shè)計(jì)專業(yè)人士，擁有超過15年的工作經(jīng)驗(yàn)?，旣悂唽?duì)自己的根一直懷有極大的尊重和興趣，她的風(fēng)格和工作深受俄羅斯?fàn)N爛文化的影響。多年的經(jīng)驗(yàn)使瑪麗亞產(chǎn)生了創(chuàng)建自己家具系列的想法，2012年，她為Visionnaire室內(nèi)品牌做了這件事。她深知對(duì)最精明的奢侈品消費(fèi)者的期望，因此她設(shè)計(jì)自己的產(chǎn)品，試圖在美麗與舒適之間達(dá)到理想的平衡。

GALITSIN

DINING ROOM

The Galitsin table stands out for its Calacatta Gold marble top with an artistic insert by Roberta Verteramo, in resin and liquid metal, "the heart and the mystery of the earth", like a crack in the rock.

The Galitsin table stands out for its Calacatta Gold marble top with an artistic insert by Roberta Verteramo, in resin and liquid metal, "the heart and the mystery of the earth", like a crack in the rock. The base, a metalized lacquered mdf, recalls the shape of a mineral.

Artist

CACO3

The group CaCO3 was founded in 2006 on the initiative of three artists, Aniko Ferreira da Silva, Giuseppe Donnaloia and Pavlos Mavromatidis, after having shared the experience of training at the "School for the Restoration of Mosaics" in Ravenna. Chemical formula of calcium carbonate, or limestone, the name CaCO3 refers to a raw material commonly used for the realization of the mosaics.

Designer

MARIA SEREBRYANAYA

Born in 1974 in Moscow Maria  Serebryanaya is a skilled professional of architecture and interior design with more than 15 years of working experience. Maria always had great respect and interest to her roots and she is greatly influenced by magnificent Russian culture in her style and work. Years of experience brought Maria to the idea of creating her own collection of furniture and in 2012 she did it for Visionnaire interior brand. Knowing well expectations of the most savvy luxury consumers she designs her items in attempt to reach an ideal balance between beauty and comfort.

第三組餐椅餐桌柜子:KERWAN ANNIVERSARY DINING ROOM

克爾萬紀(jì)念日  餐廳

一個(gè)獨(dú)特的和喚起人的收藏，一個(gè)自然和材料的融合，使餐廳提升到一個(gè)暗示和精神空間。

亞歷山德羅·拉斯帕達(dá)專注于形狀的和諧和技術(shù)細(xì)節(jié)的精確，為Visionnaire設(shè)計(jì)了一個(gè)獨(dú)特的、令人印象深刻的系列，它更喜歡大理石和金屬等莊嚴(yán)的材料。

設(shè)計(jì)師:亞歷山德羅拉斯帕達(dá)

KERWAN ANNIVERSARY

DINING ROOM

A unique and evocative collection, a merge between nature and materials that elevates the dining room to a suggestive and spiritual space.

Attentive to the harmony of shapes and to the precision of technical details, Alessandro La Spada has designed for Visionnaire a unique and evocative collection, which prefers solemn materials such as marble and metal.

Designer

ALESSANDRO LA SPADA

第4組為:

克爾萬是一個(gè)意想不到的幾何混合體。

頂部有一塊“看不見的灰色”大理石。這張桌子的特點(diǎn)在于三面底座用大理石的彎曲度。鋼和基石在光學(xué)上混合。由凹凸曲率張拉的兩種材料形成一個(gè)單面雙面單元，而曲面鋼的反射面以光學(xué)效應(yīng)反映周圍環(huán)境。大理石頂以雕塑的方式結(jié)束了這個(gè)項(xiàng)目。

阿斯特里德，受到植物學(xué)的啟發(fā)，似乎歡迎我們來到它的“葉子”中，它們展開形成由細(xì)長(zhǎng)的鋁支架支撐的座椅和靠背。。。“根”。腿是由鑄造手工刷，然后鍍金鋁。

設(shè)計(jì)師

亞歷山德羅拉斯帕達(dá)

Kerwan is a mix of unexpected geometries.

The top comes with a single slab of “invisible grey” marble. The peculiarity of the table lies in the curvature of the marble used for the base on three sides. Steel and base stone blend optically. The two materials tensioned by concave and convex curvatures form a single double-sided element, while the mirroring surface of the curved steel reflects the surrounding environment with an optical effect. The marble top concludes the project in a sculptural way.

Astrid, inspired by botany, seems to welcome us among its “l(fā)eaves” that unfold to form seat and back supported by slender aluminium supports... the “roots”. The legs are made of cast hand brushed and then gilded aluminium.

Designer

ALESSANDRO LA SPADA