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- 意大利米洛提Minotti BRASILIA床鋪巴西利亞米諾蒂Marcio Kogan設(shè)計 實木軟體床 酒店會所樣品房間
意大利米洛提Minotti BRASILIA床鋪巴西利亞米諾蒂Marcio Kogan設(shè)計 實木軟體床 酒店會所樣品房間意大利米洛提巴西利亞床鋪 米諾蒂Marcio Ko
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意大利米洛提巴西利亞床鋪 米諾蒂Marcio Kogan設(shè)計 實木軟體床 酒店會所樣品房間
原創(chuàng)國:意大利
原創(chuàng)品牌:米諾蒂
巴西利亞床
設(shè)計師:MK27工作室,Marcio Kogan
規(guī)格/材質(zhì)/顏色/面料可定制

得益于這款個性鮮明的床,座椅系列的當(dāng)代世紀(jì)中期現(xiàn)代主義風(fēng)格在臥室得以延續(xù)。這款床采用靈動懸浮設(shè)計,龐大的木制床頭將襯墊部分包圍起來。
與床頭相同,床墊下方的床箱可搭配織物或皮革覆層,加以縫線細(xì)節(jié)錦上添花。巴西利亞由Marcio Kogan/studio mk27設(shè)計,具有超精準(zhǔn)、現(xiàn)代、簡約的風(fēng)格,植根于巴西現(xiàn)代主義。Minotti已成功將Kogan的風(fēng)格商標(biāo)融入2021系列,將其魅力與整體設(shè)計理念融為一體。?

這一系列家具具有高度創(chuàng)新的外形,重新詮釋了過去的形狀,將其表面的簡單化轉(zhuǎn)變?yōu)橐环N真正的美,隱藏了復(fù)雜的設(shè)計概念:通過將不同的材料與強大的表達(dá)能力并列,它提供了一種新的風(fēng)格,這種風(fēng)格是米諾蒂品牌的標(biāo)志。著眼未來的設(shè)計,經(jīng)得起時間的考驗,成為新的經(jīng)典。?
這個家庭擁有一系列適合不同環(huán)境的座椅,從起居室到夜間區(qū)域,包括沙發(fā)、帶一個扶手的元素、扶手椅和腳凳,以及各種臥室選擇。它的特點是,不僅在線條和體積上,而且在材料的使用上,特別是深棕色的palisander Santos,以及優(yōu)雅的結(jié)構(gòu)細(xì)節(jié)上,都經(jīng)過了世紀(jì)中期的美學(xué)修訂和現(xiàn)代化。?
在這項提案中,米諾蒂品牌的鮮明特征顯而易見:它不太注重形狀方面的設(shè)計,而是注重項目的文化元素,提供了對經(jīng)典線條、體積和比例的新理解,并展示了材料的原始新用途。?考慮到可供選擇的元素、覆蓋物和配置的多樣性,為家庭環(huán)境提供的座椅也可以在酒店環(huán)境中發(fā)揮原始作用。?
巴西利亞的體量和比例所傳達(dá)的強烈建筑感指向了馬爾西奧·科甘的世界、他的室內(nèi)設(shè)計和建筑,向20世紀(jì)50年代席卷巴西的偉大文化發(fā)酵時期致敬,奧斯卡·尼梅耶和勒西奧·科斯塔是這一時期的杰出人物。?

Minotti
BRASILIA
床
設(shè)計師:studio mk27, Marcio Kogan
Brasilia, designed by Marcio Kogan / studio mk27, has an ultra-precise, contemporary, minimal style, rooted in Brazilian modernism.? Minotti has successfully incorporated Kogan’s stylistic trademarks into the 2021 Collection, blending their charm with that of the overall design concept.?
A family of furniture with a highly innovative profile that reinterprets shapes from the past, transforming their apparent simplicity into a form of real beauty that conceals an intricately complex design concept: by juxtaposing different materials with strong powers of expression, it offers a new take on the distinctive style that identifies the Minotti brand.? A design that looks to the future, made to stand the test of time and become a new classic.?
The family hosts a range of seats for different environments, from the living to the night area, including sofas, elements with one armrest, an armchair and ottoman, and a varied selection for the bedroom.? It is characterised by a Mid-Century aesthetic revisited and modernised not only in its lines and volumes, but also in its use of materials, in particular Dark Brown stained palisander Santos, and in its elegant structural details.?
In this proposal, the distinctive characteristics of the Minotti brand are clearly visible: it does not focus so much on the design in terms of its shape, but rather on the project’s cultural elements, offering a new take on classic lines, volumes and proportions, and showcasing original new uses of materials.?
The seats, conceived for the home environment, can also play an original role in hospitality settings, given the wide variety of elements, coverings and configurations to choose from.?
The strong architectural feel conveyed by the volumes and proportions of Brasilia points to the world of Marcio Kogan, his interiors and architectures, paying tribute to the period of great cultural ferment that swept through Brazil in the 1950s, in which Oscar Niemeyer and Lùcio Costa were prominent figures.?


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