意大利米諾蒂庫格設(shè)計(jì)巴西利亞armchair sofa 扶手休閑沙發(fā)椅單人位 實(shí)木五金軟包意式極簡(jiǎn)家具茶幾組合

原創(chuàng)國(guó)：意大利

原創(chuàng)品牌:米諾蒂

可定制:規(guī)格/材質(zhì)/面料  Single seat sofa

設(shè)計(jì)師:mk27工作室, 庫格

巴西利亞由mk27工作室, 庫格設(shè)計(jì)，有著超精確、現(xiàn)代、簡(jiǎn)約的風(fēng)格，根植于巴西的現(xiàn)代主義。米諾蒂成功地將高根的風(fēng)格商標(biāo)融入到中，將其魅力與整體設(shè)計(jì)理念融合在一起。一個(gè)高度創(chuàng)新的家具家庭，重新詮釋了過去的形狀，將其表面的簡(jiǎn)單轉(zhuǎn)化為一種真正的美，隱藏了復(fù)雜的設(shè)計(jì)概念:通過將不同的材料與強(qiáng)大的表現(xiàn)力并置，它為米諾蒂品牌的獨(dú)特風(fēng)格提供了一個(gè)新的視角。

?面向未來的設(shè)計(jì)，經(jīng)得起時(shí)間的考驗(yàn)，成為新的經(jīng)典?這個(gè)家庭擁有一系列不同環(huán)境的座椅，從起居區(qū)到夜間區(qū)，包括沙發(fā)、一個(gè)扶手的元素、扶手椅和軟墊，以及臥室的多種選擇。?其特點(diǎn)是中世紀(jì)美學(xué)的重新審視和現(xiàn)代化，不僅在線條和體量上，而且在材料的使用上，特別是深棕色的染色，以及其優(yōu)雅的結(jié)構(gòu)細(xì)節(jié)。

在這個(gè)提案,米諾蒂品牌的獨(dú)特的特點(diǎn)是清晰可見的:它沒有太多關(guān)注設(shè)計(jì)的形狀,而是項(xiàng)目的文化元素,提供一個(gè)全新的經(jīng)典線路,數(shù)量和比例,并展示原始材料的新用途。座椅，為家庭環(huán)境設(shè)計(jì)，也可以在酒店環(huán)境中發(fā)揮原始作用，因?yàn)橛懈鞣N各樣的元素、覆蓋物和配置可供選擇。

巴西利亞的體量和比例傳達(dá)出強(qiáng)烈的建筑感，這是庫格的世界，他的室內(nèi)設(shè)計(jì)和建筑，向20世紀(jì)50年代席卷巴西的偉大文化動(dòng)蕩時(shí)期致敬，當(dāng)時(shí)奧斯卡?尼邁耶和Lùcio Costa都是杰出人物。?座位元素由深棕色的方形框架包圍，來自負(fù)責(zé)任的管理森林，容納均勻、舒適的填充系統(tǒng)，提供舒適的軟墊座椅?

Minotti  BRASILIA sofa

The designer:studio mk27, Marcio Kogan

Brasilia, designed by Marcio Kogan / studio mk27, has an ultra-precise, 

contemporary, minimal style, rooted in Brazilian modernism.? Minotti has 

successfully incorporated Kogan’s stylistic trademarks into theCollection, 

blending their charm with that of the overall design concept.?

A family of furniture with a highly innovative profile that reinterprets shapes 

from the past, transforming their apparent simplicity into a form of real beauty 

that conceals an intricately complex design concept: by juxtaposing different 

materials with strong powers of expression, it offers a new take on the 

distinctive style that identifies the Minotti brand.? A design that looks to the 

future, made to stand the test of time and become a new classic.?

The family hosts a range of seats for different environments, from the living to 

the night area, including sofas, elements with one armrest, an armchair and 

ottoman, and a varied selection for the bedroom.? It is characterised by a Mid-

Century aesthetic revisited and modernised not only in its lines and volumes, but 

also in its use of materials, in particular Dark Brown stained palisander Santos, 

and in its elegant structural details.?

In this proposal, the distinctive characteristics of the Minotti brand are clearly 

visible: it does not focus so much on the design in terms of its shape, but rather 

on the project’s cultural elements, offering a new take on classic lines, volumes 

and proportions, and showcasing original new uses of materials.?

The seats, conceived for the home environment, can also play an original role in 

hospitality settings, given the wide variety of elements, coverings and 

configurations to choose from.?

The strong architectural feel conveyed by the volumes and proportions of Brasilia 

points to the world of Marcio Kogan, his interiors and architectures, paying 

tribute to the period of great cultural ferment that swept through Brazil in the 

1950s, in which Oscar Niemeyer and Lùcio Costa were prominent figures.?

The seating elements are enclosed in a square frame in Dark Brown stained 

palisander Santos, sourced from responsibly managed forests, accommodating a 

system of even, comfortable padding, offering a comfy, cushioned seat.?